Nature  & A Bridge Between Abstraction

Abstraction and recognizable subject matter within art are often perceived in two entirely different lights. Using that as a starting point, I explore these approaches in correlation with one another, creating a space where they can coexist. Taking a closer look at the subject matter of my paintings, they revolve around the Creation of God. When we take a moment to appreciate the world that God has created, we notice the smaller details around us. Details like the trees and their abstract lines, textures, divots, and hidden secrets take a closer look to notice. I aim to recreate the beautifully imperfect elements found only in nature through my paintings.In a grander spectrum, in Genesis 1, God says, “Let there be...” and then there was. What He speaks with His mouth comes to pass. Moreover, the power of the tongue (spoken words) holds more power than we might expect. This is embodied in my work as well. 

My process starts with a wooden base, further incorporating what I use in relation to natural Creation. It is followed by earthy colors like greens, browns, tans, reds, and even blacks/whites. In the following process, I implement multiple layers and shades of these natural colors. To create paintings, I use a variety of palette knives and brushes to apply strokes and splatters sporadically. Throughout these layers, I am also weaving words into the paintings that relate to my strengths, weaknesses, or circumstances in my personal life. This correlates to the power of the tongue. The broad spectrum of God’s Creation, as translated in my practice, is narrowed to the naturalistic aspects of the visual world that surrounds us.